![Tom Bolles](/img/default-banner.jpg)
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Tom Bolles
United States
Приєднався 6 січ 2013
Filmmaker & Cinematographer
lights + camera = ???
My latest cinematography reel (Narrative)
Projects in order of appearance:
Red April - directed by Boris Vesselinov
A Place for Angry People - directed by Tate Stüssy
Sewed Figs - directed by Liliana Chomsky
Ava - directed by Tom Bolles
Cockdestroyer - directed by Una Smoole
Never Really Gone - directed by Ethan Callahan
Akai Hana - directed by Mari Kure
Drawn into Darkness - directed by Ryan McCue
Zero - directed by Boris Vesselinov
God and the Human Experiment - directed by Julia Pai
Checkers - directed by Jeanie Laybourn
731 Willow Ave - directed by Tate Stüssy
Check out more of my work:
www.tombolles.net/
Projects in order of appearance:
Red April - directed by Boris Vesselinov
A Place for Angry People - directed by Tate Stüssy
Sewed Figs - directed by Liliana Chomsky
Ava - directed by Tom Bolles
Cockdestroyer - directed by Una Smoole
Never Really Gone - directed by Ethan Callahan
Akai Hana - directed by Mari Kure
Drawn into Darkness - directed by Ryan McCue
Zero - directed by Boris Vesselinov
God and the Human Experiment - directed by Julia Pai
Checkers - directed by Jeanie Laybourn
731 Willow Ave - directed by Tate Stüssy
Check out more of my work:
www.tombolles.net/
Переглядів: 3 247
Відео
Color grading ARRI footage
Переглядів 5 тис.14 днів тому
A demo of Kodak 500T, Kodak 250D, and Fuji 160T emulations on Arri Alexa footage, plus some discussion about halation & grain. The new CinePrint35 500T, 250D, and 160T film emulations can be downloaded as PowerGrades or as LUTs. Available here: www.tombolles.net/cineprint35
New color science just dropped
Переглядів 13 тис.14 днів тому
Demonstrating the new CinePrint35 500T, 250D, and 160T film emulations on various digital cameras The CinePrint35 film emulations are can downloaded as PowerGrades or LUTs. Available here: www.tombolles.net/cineprint35
I revived a Discontinued Film Stock using Color Science
Переглядів 15 тис.14 днів тому
The new CinePrint35 500T, 250D, and 160T film emulations can be downloaded as PowerGrades, or as LUTs. Available here: www.tombolles.net/cineprint35 Using the film emulations to grade footage from various cameras: ua-cam.com/video/KGenUZCW9as/v-deo.html INTRO VIDEO CREDITS: Mad Scientist - Chris Pickering 👨🏻🔬 Director, DP, and Colorist - Tom Bolles 🤠 Gaffer - Ethan Callahan 🐐 1st AC - Magdalen...
anamorphic malibu
Переглядів 8 тис.Рік тому
Some anamorphic footage I shot during a location scout. Film emulation color grade using CinePrint16 in Davinci Resolve: www.tombolles.net/cineprint16 Song: Deep End by Bennett Coast
my cinematography work
Переглядів 7 тис.2 роки тому
An edit featuring my DP / Cinematography work on various narrative and music video projects My website: www.tombolles.net/
my color grading work
Переглядів 8 тис.2 роки тому
My latest reel featuring my color grading and finishing work on music videos, commercials, and narrative films.
anamorphic bennett coast
Переглядів 7 тис.2 роки тому
Some anamorphic footage I shot in a bar with friends. Graded with CinePrint16 film emulation in Davinci Resolve. Available here: www.tombolles.net/cineprint16 Shot on a Panasonic GH5 with an Isco Ultra Star 2x projector anamorphic and 85mm taking lens
my color grading process
Переглядів 66 тис.2 роки тому
CinePrint16 V2 is a film emulation powergrade for Davinci Resolve that allows users to achieve realistic 8mm, 16mm, and 35mm film looks. Available here: www.tombolles.net/cineprint16 Watch part 1: ua-cam.com/video/vOd61m9y7xo/v-deo.html This video demonstrates the film emulation process on Blackmagic Pocket 6K footage and Panasonic GH5 footage.
how I make digital look like film
Переглядів 207 тис.2 роки тому
CinePrint16 V2 is a film emulation PowerGrade for Davinci Resolve allowing users to achieve realistic 8mm, 16mm, and 35mm film looks. Available here: www.tombolles.net/cineprint16 Watch Part 2: ua-cam.com/video/naTGtCSHb3A/v-deo.html
the 16mm film look - Davinci Resolve
Переглядів 60 тис.2 роки тому
My recent color work on various music videos, short films, and commercial projects using the CinePrint16 film emulation in Davinci Resolve. www.tombolles.net/cineprint16
the kodak print look
Переглядів 11 тис.3 роки тому
GH5 footage graded with the CinePrint16 film emulation powergrade. Available here: www.tombolles.net/cineprint16 CinePrint16 improves the accuracy of the Kodak 2383 PFE LUT by preparing input footage to closer match the saturation & density of a scanned negative before it is passed through the LUT. BMPCC CinePrint16 demo ua-cam.com/video/fzDc9XKqyzs/v-deo.html Panasonic GH5 CinePrint16 demo ua-...
anamorphic shenandoah
Переглядів 4,7 тис.3 роки тому
Shenandoah National Park GH5 in 6K anamorphic mode Metabones 0.64x Nikon 85mm 1.8D Isco Ultra Star Rapido FVD16a Graded in Davinci Resolve using CinePrint16 www.tombolles.net/cineprint16 This is my first time trying an h.265 export on UA-cam and it seems to end up with more compression artifacts unfortunately
the super16 look
Переглядів 62 тис.3 роки тому
CinePrint16 available here: www.tombolles.net/cineprint16 The CinePrint16 PowerGrade implements visual features of celluloid film such as halation, rich and nuanced saturation, subtractive color, highlight rolloff, gate weave, grain, and dust. Every feature in the node tree is fully customizable. CinePrint16 is a film emulation tool for colorists looking to create custom, unique 8mm, 16mm, and ...
Film Emulation with BMPCC6K and Ursa
Переглядів 23 тис.3 роки тому
Film Emulation with BMPCC6K and Ursa
super8 film… but its actually iphone
Переглядів 13 тис.3 роки тому
super8 film… but its actually iphone
Under The Winter Sun | Award Winning Stop-motion Animated Short Film
Переглядів 290 тис.5 років тому
Under The Winter Sun | Award Winning Stop-motion Animated Short Film
Chants & Cheers of the Women's March - Short Documentary
Переглядів 9 тис.7 років тому
Chants & Cheers of the Women's March - Short Documentary
The Roaring 20s Documentary - World History Project
Переглядів 469 тис.8 років тому
The Roaring 20s Documentary - World History Project
Upgrades baby! seems like such a more simplified less intimidating) workflow
some can help me powergrade is not working
buyed some minutes ago !!!
amazing work! wow
This is so inspirational, I should work on creating more content starting from now on too!❤
Hi Tom, is it possible to show us how LUTS works for FCPX and PREMIERE ?
cant people purchase cineprint 16 now?
Genius
I just bought your cineprint35, I love it I'm come from vn
could you show how the process works if using the LUTs in premiere?
yoooooo
very helpful video! i have had some issues with applying the borders :( i have tried to activate the border node but my borders havent come up
You are the goat brother. all us amateur film makers owe you so so much.
1:35 has tree of life vibes. Not just cause of the shot but the color is spot on with the film.
literally
Is cineprint35 coming to fcpx anytime soon?
You can use the LUT version in FCPX
@@TomBolles 🙏
@@TomBolles So I should purchase cineprint35 powergrade and the luts are in there?
How do I set the TIME COLOR SPACE and OUTPUT COLOR SPACE on a Mac? Because when I export, the color is less contrasted. It doesn't look like I see it in the Davinci window.
Use Rec709-A gamma tagging in the advanced export settings if you want QuickTime to use a more accurate gamma. It will still look different after uploading to web with gamma 2.2 conversion. I generally do not compensate for this but some people like to in order to prioritize darker viewing environments. In that case, you would add a CST to the timeline level before export and transform your entire project from gamma 2.4 to gamma 2.2. It will then look darker in the viewer & export, but it will match when uploaded online
Got one haven’t test it yet but curious if grain and halation works for free version of DaVinci ? And also can I use this for HLG footage from my a7iii?
do you already have an answer on that? i am curious too
Hey Tom, great work once again 🔥 I am a proud owner of all 3 versions of your cineprints. I have just 1 feedback to share, if only 1 of your powergrade had a super clean (commercial look) right out of the box as well, along with the film looks, it'd be very helpful. As not all filmmakers are bold & brave enough to go with such rich film look. Other than that, big fan of your work 🙌
Hi Tom, huge thanks for this plugin, I just purchased it I can't wait to test it! I wanted to know which emulation is used on the footage at 0:58 ? I've been looking for this look for months... so beautiful
great work, really diverse range fr. what project is at 0:55 btw?
www.tombolles.net/selected-work/cockdestroyer-short-film
Does it also work for fuji f-log (not flog2) or rec 709 footage?
Hey Tom! Was just wondering, can the onset monitoring LUTs just be used as regular LUTs in other editors (ie Final Cut)?
You are an inspiration to me
I want the davinci powergrade and also the Vlog lut for the s5ii real time lut feature. Do I also get Panasonic vlog LUTs in the davinci 68.99$ version? Or do I also need to buy the 44.99$ pack to get the lut?
Please tell me which camera was used on 0:16
Kodak 200T 7213 16mm film in an Arriflex SR3
what is the beautiful piece of music used in the video?
Is it compatible with slog2 and sgamut? Do you recommend modifying the sony slog3 powergrade or using the cst powergrade?
amazing work as always!!
11
Great work! Every shot was beautiful
amazing work here! thanks for sharing
Tom Bolles is my god
Amen
1:14 - 1:22 are my favorite shots
Will this work with 8 bit log footage or is 8 bit rec.709 footage recommended?
Hey Tom, picked it up yesterday and loving it so far. Can I ask, your suggestion to have project settings with 'rec 709 gamma 2.4' as the output colour space means I'm having the dreaded gamma shift. I have avoided this in the past by using the 'rec 709-A' output colour space and gamma tag in export. Any issue with changing the output colour space in the project settings to rec709-A with regards this powergrade? Thanks
I'd love to know this too!
Yes. It has a grey tone on the export
Is this a viable work around?
Same question here.
Yes, if you are on macOS, you should tag Rec709-A if you use QuickTime as your media player and need it to match I prefer grading in a dim room at the Gamma 2.4 standard of my reference monitor, then dealing with any gamma tagging and gamma shift compensation at the end before export, however if you prefer working from the start with Rec709-A that should work perfectly fine
Hi Tom! Nothing happens when I apply the grading. However, no problems with the CinePrint16 version. Do you have a solution?
Thanks for this! Is there any difference between gate weave for 16mm or 35mm?
I've been using these since I got them and I really dig it! I'm just starting and so many footage and short reels have now been elevated having more soul into it. I'm also using this on my ipad. One thing that I still don't know how to is to add the border package as matte. I can't seem to find this selection even right clicking on it the image. Do you guys have any ideas on how to?
Well worked!
Hey Tom! Do you think its okay to use Fujifilm Flog-2 powergrade with F-Log? I just started using F-Log 2 (newly purchased XH2s) recently but most of the footage that I currently have that I want to use for projects are F-Log. Will this greatly impact the image/results? Thank you and follower for a long time now!
I made the F-Log 2 version because it has extended dynamic range, but you can still use it on F-Log footage, you’ll just need to turn off the F-Log 2 node while leaving the CST at F-Log
@@TomBolles What you mean is to shut down the node called FLOG 2 adj which is inside To LogC?
Yes
Just purchased, been using cineprint16 for awhile now. Excited to explore these new powergrades!
my nodes are empy after import any suggestions
Same here, any suggestions guys ?
@@kopoko. I fixed mines make sure you have the most recent version of Davinci
my coins... take them
no more discount code Tom?
YOU ARE A GENIUS
Great stuff, looking forward to using it, after enjoying cineprint16 a lot! One question - are those shots at the beginning all digital+cineprint35, or are there some real film shots in there?
YOU'RE THE GOAT TOM <3
Will changing our DaVinci setting that you recommended in the intro negatively impact colour grading with cineprint 16?
No
Tim bolles deserves his trophies💥🥂
What do you say to the emulation workflow provided by filmconvert? If you used it I am curious to know your thoughts or tips on making the best of it 🙂